SiChuan 四川 province – “The power of Nature”

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1. Harmony and Balance (和谐 Héxié) Philosophical Roots: Derived from Confucianism, Daoism, and Buddhism, the concept of harmony emphasizes balance in social relationships, nature, and the universe. It promotes peaceful coexistence and cooperation. Social Application: In social and business contexts, maintaining harmony is crucial. Conflicts are often resolved through negotiation and compromise to preserve social stability. 2. Family and Filial Piety (孝 Xiào) Central Role of Family: The family is the cornerstone of Chinese society. Filial piety, respect for one’s parents and ancestors, is a key virtue. Social Structure: Family obligations often take precedence over individual desires, reflecting the collective nature of Chinese culture. 3. Collectivism Community Focus: Chinese culture emphasizes the importance of the group over the individual. This is evident in societal, family, and workplace dynamics. Shared Responsibility: Successes and failures are often viewed as collective rather than individual, fostering a strong sense of community and mutual support. 4. Win-Win Philosophy (共赢 Gòngyíng) Mutual Benefit: In business and diplomacy, the concept of win-win solutions is highly valued. It emphasizes creating outcomes that benefit all parties involved. Long-Term Relationships: Building long-term relationships and mutual trust is prioritized over short-term gains. 5. Respect for Hierarchy and Authority Confucian Influence: Respect for hierarchy is deeply ingrained, influenced by Confucian principles. This is evident in social, familial, and organizational structures. Role of Elders and Leaders: Elders and leaders are accorded high respect and their opinions are given significant weight in decision-making processes. 6. Education and Continuous Learning Value of Education: Education is highly valued and seen as a means to achieve personal and societal improvement. Historical reverence for scholars and intellectuals persists. Meritocracy: Historically, the imperial examination system reinforced the importance of education and merit in attaining social status and governmental positions. 7. Adaptability and Pragmatism Historical Adaptation: China has a long history of adapting to changing circumstances, whether through economic reforms or cultural assimilation. Pragmatic Approach: Practical solutions are often favored over rigid adherence to ideology, allowing for flexibility in governance and daily life. 8. Respect for Tradition and Cultural Heritage Preservation of Traditions: Despite modernization, traditional festivals, customs, and rituals remain integral to Chinese life. Cultural Continuity: There's a strong emphasis on preserving and passing down cultural heritage through generations. 9. Guanxi (关系) - Social Connections and Networks Importance of Relationships: Building and maintaining relationships is crucial in both personal and professional contexts. Guanxi can provide social support, opportunities, and resources. Reciprocity: Relationships are maintained through reciprocal exchanges of favors and support. 10. Yin and Yang (阴阳 Yīnyáng) Philosophical Concept: Represents the duality and interconnectedness of opposites in the natural world. Balance between yin (passive, dark, feminine) and yang (active, light, masculine) is sought. Application in Life: This concept influences various aspects of life, including health, environment, and personal relationships. Conclusion These enduring characteristics shape the Chinese worldview and influence behavior, relationships, and societal norms. Understanding these cultural elements provides valuable insights into the dynamics of Chinese society and its approach to both personal and professional interactions. These values continue to guide life in China into modernity and its international relations.

Filmed in 2013. BeiJing, Forbidden City and Great Wall - ZhangJiaJie, National Forest Park and WuLingYuan Scenic Area - YangShuo, Li River - Shangri-La, SongZanLin Monastery and BaLaGeZong - ShanGri-La - Grand Canyon National Park - Tiger Leaping Gorge - YangTse River - LiJiang, Old Town - Hong Kong.

YuanMingYuan, also known as the 'Old Summer Palace', was constructed during the 18th and early 19th century and was a wonderland of lakes and waterways, bridges, hills and pavilions. One third of the ground of YuanMingYuan was taken up by over 200 small hills with steep sides, secluded valleys, rock walls and stone caves. Half of the garderns are covered by the waters of lakes, winding streams and ponds. It was at YuanMingYuan that the emperors of the Qing Dynasty resided and handled government affairs - until it was destroyed; the Forbidden City was mostly used only for formal ceremonies at this time. The southern part of YuanMingYuan was where emperors handled state affairs, while the other parts were primarily for personal use and comprised of more than 150 scenic spots, involving rare exotic flowers and trees from different parts of the country. There were originally towers, terraces, pavilions, halls, corridors, pagodas and bridges with a total construction area of 150,000 square meters - corresponding in scale to that of the Imperial Palace. Artisans were recruited from all over China to enact the exquisite settings. The various styles of architecture, standing encircled by hills and rivulets, presented a most picturesque view. Many were reproductions of scenic mountains, rivers and famous gardens in China (mostly southern China). During his many tours of the country, emperor QianLong made it a point to have pictures of famous gardens and scenes drawn so that he could have replicas built in Beijing. Most famous of these were the ten scenic spots of the West Lake in HangZhou. The Old Summer Palace is often associated with the European-style palaces (Xi Yang Lou) that were built of stone. The designers of those structures, the Jesuits Giuseppe Castiglione and Michel Benoist, were employed by emperor QianLong to satisfy his taste for exotic buildings and objects. However, more than 95% of the Imperial Gardens consisted of essentially Chinese-style buildings. There were also a few buildings in Tibetan and Mongolian styles, reflecting the diversity of the Qing empire. In addition, hundreds of invaluable Chinese art masterpieces and antiquities were stored in the halls, including some unique copies of literary works and collections. In 1860, during the 'Second Opium War', the British and French expeditionary forces looted the Old Summer Palace. Later, on October 18 1860, a British general - despite protestations from the French (who in fact had began the looting) - gave the order to set fire to the huge complex, which burned to the ground. In 1900, those buildings that had partly survived or been restored were burnt for good by the Western expeditionary forces sent to quell the 'Boxer Rebellion'. Many priceless artifacts were plundered and made their way to museums and private collections in Europe. The ruins were further plundered by the warlords of the early republican period and further destruction of the ruins took place during the 'Cutural Revolution'. After all this destruction, what was left was truely just an empty shell. Empress dowager CiXi later directed the forming of YiHeYuan (Garden of Nurtured Harmony), into a new Summer Palace; this was near to the Old Summer Palace, but on a (somewhat) smaller scale. Nearest subway station : YuanMingYuan on line 4.

Music - the global language that brings people together. Love has no borders. Zhou Shen sings 'Monsters' by Katie Sky - a song about the demons that can crush the human spirit. Reaction by Katie, talking with YouTuber British Jack - and a challenge ... British Jack and British Mum invited their friend and Professional UK Singer Katie Sky (of Monsters) to sing 周深 Zhou Shen's '大鱼/ Big Fish' all in Chinese! As we all know, 'Big Fish' is a very difficult song full of Chinese style, with a beautiful melody. As a powerful singer, Katie Sky showed off her voice today and sang a deep 'Big Fish', which amazed British Jack and British Mum ... Katie Sky - Big Fish, the video ... Katie and Jack look back on the musical journey, and also to the future ... Don't miss the totally beautiful, moving and inspiring 2018 animated movie Big Fish and Begonia ... Big Fish lyrics ... The waves of the sea soundlessly drowns out the night, Overflowing from the edges of the sky. Big Fish is swimming in the gaps of dreamscape, Gazing upon your slumbering form. Look - the sea and sky are of the same color, Listen - raising winds and falling rain. Take your hand, blow away the endless mist. Big Fish's wings are too vast, I release the ropes of time. I fear you'd fly far, Far away from me. But I fear even more so that you stay here forever. Every drop of tear, they flow to you. Falling into the depths of the sky. The waves of the sea soundlessly drowns out the night, Overflowing from the edges of the sky. Big Fish is swimming in the gaps of dreamscape, Gazing upon your slumbering form. Look; the sea and sky are of the same color, Listen; raising winds and falling rain. Take your hand, blow away the endless mist. Big Fish's wings are too vast, I release the ropes of time. Watch you fly far, so far, Far away from me. It was true, you were born for the Heavens. Every drop of tear, they all flow to you. Falling back to the first time we met. Falling back to the first time we met. Falling back to ... the first time ... we met.

The idea is to open up a country, peacefully or otherwise, till it is no longer working in its own interests, but rather has become a captured US puppet / vassal. Control of the media, fanning protest movements and minority tensions, proxies and pouring in big money are some of methods used. With Brian Berletic ... With Cyrus Janssen ...

Why Western medicine is not in your interests - profits come from illness and symptom relief (and side-effects), not from health ...

The Western media's portrayal sounds like a pre-prepared script; part of the long-standing policy of world hegemony through 'color revolutions' destabilisations such as recently in Ukraine (and dozens more). At least, it has persisted in its propaganda for decades. The 'struggle for democracy' really means subservience to Western domination. Who is the one rewriting history? Despite the thousands of protesters, other residents and hundreds of foreign journalists, there is no photographic evidence; the 'proof' lies only in tales. For many weeks the government listened to the protesters but it had become overtaken by 'leaders' determined to force confrontation. About 300 (rioters and military) died a few kilometers west of the square as rioters attacked the military's approach to the square. At the square, an agreement was reached for the protestors to leave by dawn, and that's what happened, without bloodshed. The MSM like to show us the 'tank man'. There is video too. This person climbs onto the tank, talks with the military, then again returns to being in front of the tank, which tries to go around him. Two bystanders then persuade him to leave. What we do not see - anyone getting shot or run over. Some have grudgingly accepted that the violence took place some distance away from square, but state that the location is not important. But it is important given that for decades the tale was of a 'massacre of students in the square'; it shows the deception. Who is the one rewriting history? The following links have a good overview : https://www.liberationnews.org/tiananmen-the-massacre-that-wasnt/ https://www.japantimes.co.jp/opinion/2014/06/03/commentary/world-commentary/really-happened-tiananmen/ More : https://www.rt.com/op-ed/163872-china-tiananmen-square-june4/ https://www.cbsnews.com/news/there-was-no-tiananmen-square-massacre/