Song of the Road 路之歌

Season's Greetings to all our visitors, from BeijingBuzzz, 2020 / 2021 :) A fantastic flash mob surprises and catches the hearts of all in a BeiJing mall (China World Mall). Love music? Don't miss this great film (turn up the volume; high quality audio) ... 一群喜好音樂的志願者在北京國貿的美食街快閃表演了美麗動人的歌曲，包括 "月亮代表我的心", "彎彎的月亮", "甜蜜蜜", "讓我們蕩起雙槳", "茉莉花", "站在高崗上" 以及 "高山青"。我們帶給了現場群眾意外的驚喜，也希望可以跟全世界的朋友分享這份喜悅。 A heart-warming surprise performance of popular traditional Chinese songs at the food court of the China World Trade Center, GuoMao, central-east Beijing. By artists from Taiwan and the China World Trade Center Chorus, plus many passers by. The 7 songs : "The Moon Represents My Heart" (Yue Liang Dai Biao Wo De Xin), "The Crescent Moon" (Wan Wan De Yue Liang), "Oh, How Sweet" (Tian Mi Mi), "Let's Row the Paddles" (Rang Wo Men Dang Qi Shuang Jiang), "Jasmine Flower" (Mo Li Hua), "Standing on the Hilltop" (Zhan Zai Gao Gang Shang), "The Mountain is Green" (Gao Shan Qing). This follows a similar event at Taipei 101 in Taiwan, back in the summer. Bravo to everyone involved ! "Strangers become friends" - we need more of this ... Peace ... Love ... See you all in 2021 .....

城市峡谷公园式商业新地标全新登场！上海苏河湾万象天地商场漫游记 With Wei's Travel ...

ShaanXi province. With Zina ...

JiuXiang Scenic Area lies about 70 kilometres from KunMing and 47 km from the town of YiLiang. In JiuXiang, rivers and streams criss-cross karst hills and mountains. There are more than one hundred caves here that form one of the largest cave groups in China. The stalactites in the caves take on many forms in different colours. Found in the caves are numerous natural bridges, valleys, steams and waterfalls, which constitute a wonderful subterranean world. With a total area of about 200 square kilometres, JiuXiang consists of five smaller scenic areas.

May 1st - October 31st, 2010.

With LiZiQi 李子柒 ...

With Cyrus Janssen ... Comment by Gustavo Andrés ... There is an overwhelming assumption in the West that China’s Achilles heel is the state: that it lacks legitimacy. This is the underlying reason why Westerners believe that China’s transformation is unsustainable: that the political system cannot survive. It would be wrong to suggest that attitudes have not shifted: the endurance of the reform period, now over 35 years old, and the scale of its achievement have bred a growing if still grudging respect, and a less apocalyptic view of Chinese political change. Few now regard it to be imminent and many have extended their time horizons somewhat into the future. Nevertheless, most Westerners still regard China’s present political order as lacking legitimacy and as ultimately unsustainable. In the post 1945 period, Westerners have come to believe that Western-style democracy – essentially universal suffrage and a multi-party system – is more or less the sole source of a government’s legitimacy. This is a superficial and ahistorical position. Western-style democracy does not ensure the legitimacy of a regime in the eyes of its people: Italy is perhaps the classic example, with successive governments over a long historical period experiencing a chronic lack of legitimacy. And what of China? Although it does not have Western-style democracy, there is plenty of evidence – for example the Pew Global Attitude surveys and the work of Tony Saich at the Harvard Kennedy School – that the Chinese government enjoys high levels of support and legitimacy, much higher indeed than those of Western governments. How do we explain this? Clearly the reason is not Western-style democracy because China has not chosen this path. The late Lucian W. Pye, in his book ‘Asian Power and Politics’, argues that Western scholars have, in their understanding of politics, prioritised political systems over political cultures: Pye argues, correctly in my view, that the opposite is the case. His insight is highly relevant to the Chinese case. The relationship between the state and society in China is very different from that which characterises Western societies. There are three key elements. First, China is primarily a civilization-state rather than a nation-state, with the overriding and extremely difficult age-old task of government being to maintain the unity of China and its civilization. This has lent the state an enduring authority, importance and centrality in China that is very different from the Western nation-state tradition. The state is intrinsic to China in a way that this is not true in Western societies: they are, in effect, in large degree synonymous. Furthermore the Chinese regard the state in some degree as an expression and extension of themselves. Second, whereas in Western societies the state is seen in an instrumentalist and utilitarian way – in other words, what will it do for me? – in China, following from the Confucian tradition and the idea that the Emperor should model himself on the father’s role as the head of the family, the state is perceived in a familial way, whence the expression ‘nation-family’, or the idea of China as an extended family. Or, to put it another way, in Western societies the state is viewed as an external and somewhat artificial construct, for the Chinese it is an intimate. Third, a much higher premium is placed on the efficiency and efficacy of the state than in the West, whence the importance of meritocracy in the recruitment of public servants. In the West, discussion about the state largely revolves around the manner by which the government is selected, in China, by way of contrast, the competence of the state assumes priority. Fourthly, following from the previous point, the state is expected and required to deliver in China. Over the last few decades, of course, it has presided over and masterminded a huge transformation, the most remarkable in modern economic history. The contrast between the performance of the Chinese and Western economies is manifest. In summary, the relationship between the state and society in China and the West is profoundly different and the reasons lie in the historical and cultural differences between them. They can and should learn from each other but they will remain distinct. So what of the future? As I mentioned at the outset, it is axiomatic in the West that sooner or later China will face a crisis of governance that will result in profound reform along Western lines. In reality, it seems far more likely that the crisis of governance will occur in the West than China. The United States and Europe are in decline and, as a consequence, their ruling elites and political systems are already suffering from declining legitimacy and authority, a process that is likely to continue. China, in contrast, is a rising power whose ruling elite is likely to enjoy growing status and prestige as a consequence. China, though, faces its own kind of governance challenge. The country is changing at extraordinary speed. If one thinks of how the life of an ordinary person has changed over the course of the last three decades, then this is a measure of how everything else, including political rule, must also change in order to survive. Of course, transparency, representivity and accountability have been transformed since Mao’s death, but this is a dynamic process and arguably the greatest changes still lie in the future. It is not that China needs to or should change its system – it has stood the test of time and managed to stay abreast of and lead the wider transformations – but, this notwithstanding, more profound ways must be found to modernise the political system and its institutions if they are to meet the demands and expectations of a very different society.

With Andy see the World ... *** HuaYan Temple, located in DaTong, ShanXi province, is a magnificent example of Buddhist temple architecture and one of the best-preserved temples from the Liao and Jin dynasties. Its name, "Huayan," is derived from the Huayan Sutra, an important scripture in Chinese Buddhism, reflecting the temple's strong connection to the Huayan school of Buddhist thought. Key Features: Divided Structure: The temple is unique as it is divided into two parts: the Upper Temple and the Lower Temple. The Upper Temple, built on a hill, was primarily used for religious ceremonies, while the Lower Temple served as a residential and study area for monks. Grand Hall: The Great Buddha Hall in the Upper Temple is one of the largest remaining halls of its kind from the Liao dynasty. It features massive wooden beams, intricate carvings, and large Buddha statues that exude a sense of serenity. Murals and Sculptures: The temple is renowned for its well-preserved murals and Buddhist sculptures. These artworks depict scenes from Buddhist scriptures and stories, reflecting the artistic style and religious devotion of the era. Library of Sutras: The Lower Temple houses a library of Buddhist sutras, emphasizing the temple’s role as a center for learning and spiritual practice. Architectural Significance: The wooden structures of Huayan Temple showcase the advanced engineering and architectural techniques of ancient China. The use of dougong brackets (interlocking wooden brackets) is particularly impressive. Cultural Heritage: Huayan Temple is a testament to the flourishing of Buddhism in northern China during the Liao and Jin dynasties. It represents a blend of religious, artistic, and architectural achievements. Atmosphere: Visitors often find the temple serene and spiritually uplifting, with its quiet courtyards, ancient trees, and the scent of incense enhancing the experience. It is not just a historical site but also an active place of worship. Huayan Temple remains a significant cultural and spiritual landmark, drawing visitors and scholars from around the world to explore its beauty and historical importance. *** Shanhua Temple, located in Datong, Shanxi Province, is a stunning example of Chinese Buddhist architecture and history. Originally constructed during the Tang Dynasty, the temple has been preserved and renovated over the centuries, with its current structures mainly dating back to the Liao and Jin Dynasties. The temple complex is composed of three main halls arranged along a north-south axis: the Main Gate Hall, the Mahavira Hall, and the Sansheng Hall. These halls are surrounded by peaceful courtyards, ancient trees, and stone pathways, creating a serene environment for visitors. The Mahavira Hall is the centerpiece of the temple, housing large statues of the Buddha and bodhisattvas. The craftsmanship of these statues reflects the artistic style of the Liao Dynasty, with intricate details and vibrant colors. The Sansheng Hall, dedicated to the Three Saints of Hua-yen Buddhism, also contains exquisite statues and murals that are valuable cultural relics. One of the temple's unique features is its collection of wooden structures, which have survived numerous dynasties and demonstrate the sophisticated construction techniques of ancient Chinese architecture. The intricate carvings, painted beams, and symbolic motifs throughout the temple showcase the skill of artisans from different eras. Visitors to Shanhua Temple can also enjoy the surrounding scenery, as the temple is situated near other historical sites in Datong, such as the Nine-Dragon Wall and the Yungang Grottoes. Its peaceful ambiance and historical significance make it a must-visit destination for those exploring China's rich cultural heritage. *** The HunYuan Confucian Temple, located in Hunyuan County near Datong, Shanxi Province, is an important historical and cultural site dedicated to the teachings of Confucius. Known for its elegant architecture and serene atmosphere, the temple reflects the Confucian emphasis on education, morality, and respect for tradition. Originally built during the Yuan Dynasty, the temple has undergone several renovations and expansions over the centuries, with many of its current structures dating back to the Ming and Qing Dynasties. The layout of the temple follows traditional Confucian principles, with symmetrical courtyards and a central axis leading to the main halls. The temple complex includes several key structures, such as the Dacheng Hall, the Gate of Rites, and the Hall of Confucius’ Tablets. The Dacheng Hall, the centerpiece of the temple, houses a statue of Confucius and tablets honoring his disciples and other influential scholars. Its wooden beams and intricate carvings are a testament to the craftsmanship of ancient Chinese builders. The temple grounds are adorned with ancient cypress trees, stone tablets, and inscriptions that highlight the enduring legacy of Confucianism in Chinese culture. These elements create a tranquil environment for visitors, providing a space for reflection and appreciation of traditional values. Hunyuan Confucian Temple is not only a place of historical significance but also a symbol of the enduring influence of Confucian thought in shaping Chinese society. Its proximity to other attractions in the area, such as the Hanging Temple, makes it an excellent addition to any itinerary for visitors exploring the region. *** The Fahua Temple, located in Datong, Shanxi Province, is a historic Buddhist temple with a serene atmosphere and a rich cultural heritage. Known for its traditional Chinese architecture and intricate details, the temple provides a glimpse into the spiritual and artistic traditions of ancient China. Originally built during the Ming Dynasty, Fahua Temple has undergone renovations over the centuries, preserving its historic charm while maintaining its religious significance. The temple is dedicated to Buddhist teachings and serves as a place of worship, meditation, and cultural reflection. The layout of the temple includes several key structures, such as the main hall, bell tower, and various smaller pavilions. The main hall is adorned with statues of the Buddha and Bodhisattvas, as well as colorful murals that depict scenes from Buddhist scriptures. The bell tower houses an ancient bronze bell that is said to bring blessings and peace to those who hear its chime. The temple grounds are quiet and peaceful, with pathways lined by trees and flowers that enhance the meditative experience. Stone carvings and inscriptions throughout the temple complex reflect the devotion and artistic skills of past generations. Visitors often find the setting conducive to quiet reflection and spiritual exploration. Fahua Temple is an important cultural and religious site in Datong, offering visitors a chance to connect with Buddhist traditions and admire the craftsmanship of Chinese temple architecture. Its tranquil environment makes it a worthwhile stop for those seeking a deeper understanding of the region’s history and spiritual legacy.

自製貴州剁椒醬，香辣有味 放一年都不會壞的美食，最後還有捕魚技巧哦 | 野小妹